The article is focused on the analysis of historiography of epidemics in the history of the European overseas empires. Anti-epidemic campaigns are viewed as an integral part of the medical administration of imperial territories. Changing perceptions of historians regarding the aims, content and consequences of the anti-epidemic campaigns in the colonies form the main concern of the article.
Pavel V. Sokolov’s “Lucis an caliginis theatrum: Theatrical Metaphors in the Early Modern historia literaria” is another one of those essays in this volume which remind readers of the frequently forgotten fact that the metaphor at issue here is present in non-theatrical texts also. Sokolov makes the striking observation that there is an intense discussion of the problem of plagiarism in an age without copyright regulations. The intricacies involved in the question of what is an “original” and what is a (perhaps plagiarized) “copy” were highlighted in contemporary treatises by drawing on the resources offered by theatrical metaphors, especially on one specific semantic strand inherent to this metaphorical complex, namely, the difficulty to decide between what is “real” action and what is (only) an imitation of real action.
In this paper we set ourselves the goal of examining the figure of the female protagonist of Pieter Corneliszoon Hooft’s historical tragedy Geeraerdt van Velsen (1613), Machtelt van Velsen, in its connection with the classical “archetypical rape victim” Lucretia, transformed by Livy into an exemplum of republican virtus, feminine gloria, conjugal modestia, and castitas.
L’ouvrage d’Adrian Mackenzie, professeur au Département de sociologie à l’Université de Lancaster, est d’un genre inédit au sein de la littérature émergente, mais encore peu étendue en sciences humaines et sociales, qui explore le fonctionnement du machine learning (ML). Les avancées spectaculaires de cette branche de l’intelligence artificielle (IA) depuis quelques années ont éclipsé les autres approches en la matière et ont soudainement transformé l’IA en un problème social et politique. Plusieurs auteurs ont déjà insisté sur la nécessité de focaliser le regard sur les outils de l’IA, en pointant les limites des travaux qui ne traitent que des effets sociaux des « algorithmes ». Comme le fait remarquer l’anthropologue des sciences et des techniques Nick Seaver, la plupart des travaux sur le sujet s’agitent au sujet des « algorithmes » ou le « big data », en insistant sur leurs effets néfastes, voire catastrophiques, pour la société sans jamais préciser exactement ce qu’ils sont. Le transfert des connaissances et des perspectives entre les spécialistes en IA et en SHS (d’ailleurs dans les deux sens) est pourtant indispensable pour en proposer une critique informée et efficace.
Ukrainian science and its terminology in the nineteenth century experienced a number of twists and turns. Divided between two empires, it lacked institutions, scholars pursuing it, and a unified literary language. One could even say that until the late nineteenth century there was a possibility for two communities with two literary languages to emerge - Ruthenian (Habsburg Empire) and Ukrainian (Russian Empire). Eventually, both communities and languages merged. This article tracks the meanderings of this process, arguing that scholarly publications played a crucial role in shaping the standard for the scientific language. The article follows the biography of the naturalist Ivan Verhrats'kyi (1846-1919), the author of the first dictionaries of naturalist terminology in Ruthenian in 1860, a translator and author of textbooks, and the head of the Mathematical-Naturalist-Medical Section of the Shevchenko Society in L'viv. He thus shaped many Ruthenian, and then Ruthenian-Ukrainian scholarly projects. Initially successful with his approach to making the Ruthenian scientific language vernacular, in the 1890s his approach was losing ground to the internationalization of vocabulary and to the growing pressure toward the unification of Ruthenian and Ukrainian. Finally, in the beginning of the twentieth century, Verhrats'kyi became marginalized within the Ukrainian scholarly community. By discussing the history of a minority language within imperial structures, I argue that the media in which scholarly work was published requires special attention. In the Ruthenin-Ukrainian case, they determined the standard for scientific language. Lacking professional journals, Ruthenian scholars published in the 1860s-late 1880s in popular newspapers and in school textbooks, requiring them to use a language that was near to the spoken tongue of the Habsburg province. Once the political situation changed, favoring Ruthenian-Ukrainian unification, and scholarly journals appeared and transgressed the imperial boundary, the favored language had to be transimperial, ousting out the vernacular.
This essay deals with an important chapter in the instrumentalization of “spectacularity” that is situated several decades before the humanist “Renaissance” of theater. Focusing on Enea Silvio Bartolomeo Piccolomini, who acceded to the papacy under the name of Pius II (1458–1464), the essay examines the “theatrical” restructuring of Piccolomini’s place of birth, Corsignano, renamed Pienza by the Pope himself. The numerous buildings (churches, palaces, public places) that the Pope had erected in his hometown are meant to metaphorically represent his self-image as a human being elected by God with a view to leading profane and sacred history to an apogee never seen before. This self-stylization via the “stage” of the town of Pienza is corroborated, as Ivanova shows, by Pius’s textual self-interpretation in his Commentarii rerum memorabilium quae temporibus suis contingerunt (1463).
Les percées récentes de « l’apprentissage profond » (deep learning) favorisées par les investissements des géants du numérique transnationaux ont contribué, dans la seconde moitié des années 2010, à faire passer l’intelligence artificielle (IA) du statut d’objet de science-fiction à celui de problème public. L’ensemble des techniques, des architectures et des algorithmes, connu sous ce nom, semble enfin réaliser les promesses de « la vieille IA » (faites à partir de la fin des années cinquante) d’apprendre aux machines des tâches telles que les jeux d’échecs, la reconnaissance de l’image et de la parole, la traduction et la gestion de l’information – objets de référence de l’IA, mais a aussi rendu possible de nouvelles applications telles que la prédiction comportementale et la data analyticscomme outil d’extraction des connaissances quasi-universel. Ces avancées techniques (et surtout ce qu’elles promettent à l’avenir) sont actuellement très prisées par des entreprises privées les plus diverses et par des gouvernements comme un enjeu majeur dans la concurrence internationale pour le pouvoir économique et politique.
The paper is an attempt to demonstrate that theatrical metaphor plays a paradigmatic role in the philosophy of Schelling, from the very beginning up to the latest versions of his metaphysics. The image of theatrical play serves, in Schelling, as the main pattern for the conceptualization of every process in which freedom and necessity are mediated through each other – of thinking as such, of the World history as a whole, of the very genesis of the world, and of the history of the human consciousness.
Between 1907 and 1911, Imperial Austria experienced two major controversies concerning entanglements of science and religion. In 1907, the Innsbruck specialist in church law, Ludwig Wahrmund, publicly criticized the new ‘antimodernist’ and antiscientific trends of Catholic science, causing semester-long protests, fights, university closures and heated parliamentary debates. Antagonized in Innsbruck, Wahrmund relocated to Prague. The controversy triggered by his work, however, united students from across the monarchy in Wahrmund’s defence. In 1910, an analogous conflict arose in Cracow after Kazimierz Zimmermann was appointed professor of Catholic sociology. This time the protest against his teachings, although intensive, transgressed Galician boundaries only to a limited extent, failing to mobilize progressive student groups to go on the streets outside of the province. This article analyses the difference between protests against Wahrmund and Zimmermann from a spatial perspective. The author argues that the way both conflicts were received in politics and in local university cities indicates that there was an Imperial Austrian public sphere that transgressed national boundaries and linguistic divisions. Conflicts over contested topics, like the long-heated relationship between Church, science and higher education, were charged events that brought this public sphere to the fore. This translingual, imperial public sphere remained, however, hierarchically structured. A conflict in Innsbruck had more weight than one in Cracow, both within political discussions and in local presses.
The edited book contains selected articles that were presented at the conference "Welt and Wissenschaft" at the National Research University Higher School of Economics in Moscow 2018, April 19.
The paper examines in some detail Ficino's relation to concept of λόγοι σπερματικοί, literally ‘seminal reasons’, discussed in his Platonic and Scholastic sources. For instance, Ficino uses such terms as semina rerum, semina formarum, rationes seminales, seminarium mundi, ratio seminaria mundi to indicate the links between species in matter and ideas in mind. Ficino supposes that the World-Soul, producing specific forms and powers of lower things, makes them through her own seminal reasons, which remain in touch with celestial and supercelestial entities. Probably, it is Plotinus who legitimates Ficino’s use of the concept of seminal reasons although, historically, it is the concept of Stoicism. Employing ‘seeds’ as a metaphor for ideas, Plotinus criticizes strongly the Stoic concept of seminal reasons, according to which seminal formative principles are corporeal and immanent to the things. Ficino’s use of embryological metaphors and direct analogies between the action of generating force in the human body and in the ‘body’ of the world serves to explain how a purely intelligible essence (the World-Soul) produces material things. In the paper, I argue that the ‘seminal reasons’ as metaphysical intermediaries should be related to other well-known metaphysical intermediaries in Ficino’s philosophy (spiritus, daemones)
The aim of the article is to reveal new concepts and models, systems of argumentation, rethinking of main categories, orientation to new social disciplines and self-reflection in different directions of the world history in the 21st century.
In the 1990s world history relying on the achievements of global and postcolonial studies has been radically transformed and, after several decades of existence in the backyards of historical science, has regained its leading position. Studies conducted in the framework of world history have established new directions that are the result of critical and postmodern revolutions in philosophy (postcolonial criticism, first of all) and rely on a number of concepts and approaches developed in the course of anthropological, linguistic and cultural twists and turns.
Firstly, we mean global and transnational history, offering ways to construct a universal non-Eurocentric world. Secondly, world history, analyzing interactions between world systems and local civilizations (cultural transfer), and complex networks of mutual influences of various historical phenomena. Third, the international history of the formation and development of various international institutions. Fourth, the Big history, which claims not only to encompass "the whole world", but also "all the time", that is, a time beyond the social - "time of the Earth."
The attention of historians is switched to the study of social trajectories, cultural exchanges, multiple identities; there is a fundamental rejection of dualistic oppositions (Europe / third world, metropoly / colony, center / periphery, city / village, modernization / tradition). All variants of the "new world history" are alliances of history with different disciplines, up to the attempts at integration with biology, geology, and cosmology.
The next transformation of the historical science in the 2000s and especially in the last decade is unusually favorable precisely for the development of world history. Firstly, it is the renewed need for broad contexts and large narratives. Secondly, the "spatial turn" in the social sciences and in historiography in particular. Thirdly, the awakened interest of historians in the metaphysics of time and the idea of multitemporality.
The review essay is devoted to the book by A. Kelly "The Discovery of Chance: The Life and Thought of Alexander Herzen" (Cambridge, 2016).
The article considers the specificity of urban memory and memory places of cultural heroes in the modern Russian cities. The authors analyze nonconventional memory sites that arise spontaneously and are supported by different agents and communities. The article is focused on the places dedicated to the memory of Viktor Tsoi, leader of the famous Leningrad rock band “Kino” in Moscow and Saint-Petersburg.
This article examines the process of history scientization experience in the USSR based on Porshnev’s concept of international affairs in the period of the Thirty Years' War. The author traces the connection between this concept and structuralism, as well as the roll-call between its historiosophy and T. Hobbes' (the problem of the emergence of sociality), C. Schmitt's (the idea of "friend-enemy") and R. Aron's (sociology of international relationships) theories. In the course of the analysis of the argumentative structure of natural-science implication, B.F. Porshnev's theory (concepts of "synchrony" and "diachrony" of the historical process, the concept of "historical experiment"), which is characterized as axiomatic, the aurhor concludes that Porshnev's persistent desire for scientific rigor and rigidity of the conceptual-categorical apparatus leads to the opposite effect - the metaphorization of language.
The main concern of the article is the ways plague was explored and conceptualised by Russian doctors in the late 19th and early 20th centuries. Medical theories and epistemologies are accessed in comparison with those employed during the pre-bacteriological era as well as with the European medical ideas of the period.