Наши аннотации к рекомендованной литературе

Общие тексты о культуре соучастия и фанатских культурах

Jenkins H. (1992) Textual Poachers: Television Fans and Participatory Culture. London; New York: Routledge.

Jenkins H. (2006) Convergence Culture: Where Old and New Media Collide. New York; London: New York University Press.

Bacon-Smith C. (1992) Enterprising Women: Television Fandom and the Creation of Popular Myth. Philadelphia, PA: University of Pennsylvania Press.

Hills M. (2002) Fan Cultures. London; New York: Routledge.

Saler M. (2012) As If: Modern Enchantment and the Literary Prehistory of Virtual Reality. Oxford: Oxford University Press.

Gray J., Sandvoss C., Harrington C. (Eds.) (2007) Fandom: Identities and Communities in a Mediated World. New York: New York University Press.

Pearson, R. (2010) Fandom in the Digital Era. Popular Communication // The International Journal of Media and Culture. Vol. 8. № 1. P. 84–95.

Duits L., Zwaan K., Reijnders S. (Eds.) (2014) The Ashgate Research Companion to Fan Cultures. Farnham: Ashgate.  The Ashgate Research Companion to Fan Cultures_аннотации.pdf

Click M.A., Scott S. (Eds.) (2017) The Routledge Companion to Media Fandom.  Media Fandom.pdf

Музыкальные фандомы, хеви-метал сообщества, рэп-культура

Hebdige D. (1979) Subculture: the Meaning of Style. London; New York: Routledge.

Duffett M. (2014) Popular Music Fandom. Identities, Roles and Practices. London; New York: Routledge.

Krenske L., McKay J. (2000) “Hard and Heavy”: Gender and Power in a Heavy Metal Music Subculture // Gender, Place and Culture. Vol. 7. № 3. P. 287–304.      Аннотация Е. Мельниковой

Heritage G. (2016) Accept(ing) the Other (Metallic[a]) Hyper-Masculine Image: Case Studies towards an Alternative Understanding of Hyper-Masculinity in the Aesthetics of 1980s Heavy Metal // Metal Music Studies. Vol. 2. № 1. P. 57–68.  Аннотация Е. Мельниковой

Donze P. L. (2010) Heterosexuality Is Totally Metal: Ritualized Community and Separation at a Local Music Club // Journal of Popular Music Studies. Vol. 22. № 3. P. 259–282.  Аннотация Е. Мельниковой

Schaap J., Berkers P. (2014) Grunting Alone? Online Gender Inequality in Extreme Metal Music // Journal of the International Association for the Study of Popular Music. Vol. 4. № 1. P. 101–116.  Аннотация Е. Мельниковой

Berkers P. (2012) Rock Against Gender Roles: Performing Femininities and Doing Feminism Among Women Punk Performers in the Netherlands, 1976–1982 // Journal of Popular Music Studies. Vol. 24. № 2. P.155–175.  Аннотация Е. Мельниковой

Wright K. (2004) Rise up Hip Hop Nation: From Deconstructing Racial Politics to Building Positive Solutions // Socialism and Democracy. Vol. 18. № 2. P. 9–20.

Charis K. (2005) Gangstas, Thugs, and Hustlas: Identity and the Code of the Street in Rap Music // Social Problems. Vol. 52. Iss. 3. P. 360–378.

Newman M. (2007) “I Don't Want My Ends to Just Meet; I Want My Ends Overlappin”: Personal Aspiration and the Rejection of Progressive Rap // Journal of Language, Identity & Education. Vol. 6. № 2. P. 131–145.

Barrer P. (2009) “My White, Blue, and Red Heart”: Constructing a Slovak Identity in Rap Music // Popular Music and Society. Vol. 32. № 1. P. 59–75.

Хестанов Р. (2016) Хип-хоп: культура молодежной контрреволюции // Логос. № 4. С. 7–26.

Театр и креативная демократия

Ranciere J. (2009) The Emancipated Spectator. London; New York: Verso. 2009.

Dewey J. (1940) Creative Democracy: The Task before Us. In the Philosopher of the Common Man: Essays in Honor of John Dewey to Celebrate His Eightieth Birthday. New York: Greenwood Press.

Vail J., Hollands R. (2013) Creative democracy and arts: the participatory democracy of the Amber collective // Cultural Sociology. №7(3). P. 352–367.

Йоас Х. (2005) Креативность действия. СПб.: Алетейя.

Фишер-Лихте (2015) Эстетика перформативности / Кандинская Н. (Пер. с нем.). М.: Канон +.

Фанфикшн

Gwenllian-Jones S. (2002). The Sex Live of Cult Television Characters // Screen. Vol. 43. № 1. P. 79–90.

Hellekson K., Busse K. (Eds) (2006) Fan Fiction and Fan Communities in the Age of the Internet. Jefferson, NC: McFarland. Особенно следующие главы:

• Coppa F. A Brief History of Media Fandom.
• Derecho A. Archontic Literature: a Definition, a History, and Several Theories of Fan Fiction.
• Woledge E. Intimatopia: Genre Intersections between Slash and the Mainstream.
• Stasi M. The Toy Soldiers from Leeds: the Slash Palimpsest.

Caplan D. (2012) Why Would Any Woman Want To Read Such Stories? The Distinctions between Genre Romances and Slash Fiction // Frantz S., Selinger E. (Eds.) New Approaches to Popular Romance Fiction. Jefferson, NC: McFarland. P. 121–132.

Stein L., Busse K. (2009) Limit Play: Fan Authorship between Source Text, Intertext, and Context // Popular Communication. Vol. 7. № 4. P. 192–207.

Tosenberger C. (2008) Homosexuality at the Online Hogwarts: Harry Potter Slash Fanfiction // Children’s Literature. № 36. P. 185–207.

Tosenberger C. (2014) Mature Poets Steal: Children’s Literature and the Unpublishability of Fan Fiction // Children’s Literature Association Quarterly. № 39(1). P. 4–27.

Классическая литература и фанфикшн

Herzog A. (2013). The Power of ‘AH, E/B, Very OOC’: Agency in Fanfiction Jargon // COPAS: Current Objectives of American Studies. № 14. P. 1–23.
Аннотация К. Романенко

Jenkins H., Purushotma R., Weigel M., Clinton K., Robison A.J. (2009). Confronting the Challenges of Participatory Culture: Media Education for the 21st Century. Cambridge, MA; London: MIT Press.   Аннотация К. Романенко

Pugh S. (2005) The Democratic Genre: Fan Fiction in a Literary Context. Bridgend, UK: Seren.  Аннотация К. Романенко

Simons J. (1998). Classics and Trash: Reading Austen in the 1990s // Women's Writing. Vol. 5. № 1. P. 27–42.  Аннотация К. Романенко

Борисов С.Б. (Сост.). Рукописный девичий рассказ. 2-е изд., испр. М.: ОГИ, 2004.  Аннотация К. Романенко

Фандаб

Giuffre L. (2014) Music for (Something Other Than) Pleasure: Anti-Fans and the Other Side of Popular Music Appeal. // Duits L., Zwann K., Reijinders S. (Eds.) The Ashgate Research Companion to Fan Culture. Farnham: Ashgate. P. 49–61.

Chaume F. (2007) Dubbing Practices in Europe: Localisation Beats Globalisation. // Linguistica Antverpiensia, New Series – Themes in Translation Studies. № 7. P. 203–217.

Arriagada A., Cruz V. (2014) Music Fans as Mediators in the Age of Digital Reproduction // Duits L., Zwann K., Reijinders S. (Eds.) The Ashgate Research Companion to Fan Culture. Farnham: Ashgate Publishing Company. P. 149–162.

Afdeeff M. (2012) Technological Engagement and Musical Eclecticism: an Examination of Contemporary Listening Practices // Participations. Journal of Audience & Reception Studies. Vol. 9. Iss. 2. P. 256–282.

Lamerichs N. (2013) The Cultural Dynamic of Doujinshi and Cosplay: Local Anime Fandom in Japan, USA And Europe // Participations. Journal of Audience & Reception Studies. Vol. 10. Iss. 1. P. 154–176.

Косплей

Lamerichs N. (2015) Express Yourself: An Affective Analysis of Game Cosplayers // Enevold J., MacCallum-Stewart E. (Eds.) Game Love: Essays on Play and Affection. Jefferson, NC: McFarland. P. 125–155.  Аннотация А. Рябининой

Сolie C. (2013) More than a Companion: "The Doctor's Wife" and Representations of Women in "Doctor Who" // Studies in Popular Culture. Vol. 36. № 1. P. 83–104.  Аннотация А. Рябининой

Chen J.-S. (2007) A Study of Fan Culture: Adolescent Experiences with Animé/manga Doujinshi and Cosplay in Taiwan // Visual Arts Research. Vol. 33. № 1. P. 14–24.

Lamerichs N. (2013) Cosplay Material and Transmedial Culture in Play // Transactions of the Digital Games Research Association. Defragging Game Studies. (http://library.med.utah.edu/e-channel/wp-content/uploads/2016/04/digra-2013-paper_276.pdf)

Leng R. (2013) Gender, Sexuality, and Cosplay: A Case Study of Male-to-Female Crossplay // The Phoenix Papers. P. 89–110. (https://dash.harvard.edu/handle/1/13481274)

Стриминг

Gandolfi E. (2016) To Watch or to Play, it is in the Game: the Game Culture on Twitch.Tv among Performers, Plays and Audiences // Journal of Gaming & Virtual Worlds. Vol. 8. № 1. P. 63–82.

Hamilton W.A., Garretson O., Kerne A. (2014) Streaming on Twitch: Fostering Participatory Communities of Play within Live Mixed Media. // Computer Human Interaction Journal. P. 1315–1324.

Smith T., Obrist M., Wright P. (2013) Live-streaming Changes the (Video) Game // Proceedings of the 11th European Conference on Interactive TV and Video. New York: ACM. P. 131–138.

Cheung G., Huang J. (2011) Starcraft From The Stands: Understanding The Game Spectator // Proceedings of the SIGCHI Conference on Human Factors in Computing Systems. New York: ACM. P. 763–772.

Sjöblom M. (2015) Watching Others Play: a Uses and Gratifications Approach to Video Game Streaming Motives. Master’s Thesis. (https://aaltodoc.aalto.fi/handle/123456789/18171)

Комиксы

Gordon I. (2012) Writing to Superman: Towards an Understanding of the Social Networks of Comic-Book Fans // Participations. Journal of Audience & Reception Studies. Vol. 9. Iss. 2. P. 120–132.

Shyminsky N. (2011) ‘‘Gay’’ Sidekicks: Queer Anxiety and the Narrative Straightening of the Superhero // Men and Masculinities. Vol. 14. № 3. P. 288–308. Аннотация М. Крашенинниковой

Padva G. (2005) Dreamboys, Meatmen and Werewolves: Visualizing Erotic Identities in All-Male Comic Strips // Sexualities. Vol 8. Iss. 5. P. 587–599. 

Аннотации участников НУГ к статьям из журнала «Participations. Journal of Audience & Reception Studies»: блок статей «Consortium on Emerging Directions in Audience Research» (2016. Vol. 13. Iss. 1) и блок статей «The World Hobbit Project» (2016. Vol. 13. Iss. 2)

Pavlíčková T., Kleut J. (2016) Produsage как опыт и интерпретация / Produsage as experience and interpretation // Participations. Journal of Audience & Reception Studies. Vol. 13. Iss. 1. P. 349–359. Аннотация_А. Максимова.pdf

Murru M.F. (2016) Listening, temporalities and epistemology: A hermeneutical perspective on mediated civic engagement // Participations. Journal of Audience & Reception Studies. Vol. 13. Iss. 1. P. 392–401. Аннотация_Е. Шмелёва.pdf

Murru M.F., Stehling M., Amaral I., Scarcelli M. (2016) The civic value of being an audience: The intersection between media and citizenship in audience research // Participations. Journal of Audience & Reception Studies. Vol. 13. Iss. 1. P. 402–421. Аннотация_Е. Шмелёва.pdf

Vesnić-Alujević L., Murru M.F. (2016) Digital audiences’ disempowerment: Participation or free labour // Participations. Journal of Audience & Reception Studies. Vol. 13. Iss. 1. P. 422–430. Аннотация_Е. Вивич.pdf

Dias P., Jorge A. (2016) Audience experiencing of emotions in the contemporary media landscape // Participations. Journal of Audience & Reception Studies. Vol. 13. Iss. 1. P.431–445. Аннотация_А. Рябинина.pdf

Zaborowski R., Dhaenens F. (2016) Old topics, old approaches? “Reception” in television studies and music studies // Participations. Journal of Audience & Reception Studies. Vol. 13. Iss. 1. P. 446–461. Аннотация_Е. Зверева.pdf

Блок статей «The World Hobbit Project». Аннотация_Б. Степанов.pdf